Harold Jaffe
Jaffe's fiction has appeared in such journals as ''Mississippi Review''; ''City Lights Review''; ''Paris Review''; ''New Directions in Prose and Poetry''; ''Chicago Review''; ''Chelsea''; ''Fiction''; ''Central Park''; ''Witness''; ''Black Ice''; ''Minnesota Review''; ''Boundary 2''; ''ACM''; ''Black Warrior Review''; ''Cream City Review''; ''Two Girls’ Review''; and ''New Novel Review''. His fictions have also been anthologized in Pushcart Prize; Best American Stories; Best of American Humor; ''Storming the Reality Studio''; ''American Mad''e; ''Avant Pop: Fiction for a Daydreaming Nation''; ''After Yesterday's Crash: The Avant-Pop Anthology''; ''Bateria'' and ''Am Lit'' (Germany); ''Borderlands'' (Mexico); ''Praz'' (Italy); ''Positive'' (Japan); and elsewhere.
The 2004 issue of ''The Journal of Experimental Fiction called'' “The Literary Terrorism of Harold Jaffe” was devoted to his writings.
Jaffe was well known for his technique of docufiction, a literary form that treats and fictionalizes news reports and other published data to expose their philosophical underpinnings, ambiguities, nuances, and hidden agendas. In addition to Docufiction, both Guerilla Writing and Unsituated Dialogue were literary terms Jaffe created.. Provided by Wikipedia
-
1