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Fernando Sor
![A [[Lithography|lithographed]] painting of Fernando Sor, c. 1825](https://upload.wikimedia.org/wikipedia/commons/8/8b/Fernando_Sor.jpg)
Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular ''Introduction and Variations on Mozart's "Das klinget so herrlich"'' Op. 9, is fiendishly difficult.
Unlike modern classical guitar players, Sor used the smaller, slimmer "Romantic" guitars predating today's familiar Torres instrument. He used the ring finger of his plucking hand "rarely" and "only for harmony (never for melody)." He eschewed the use of nails on that hand. Provided by Wikipedia
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13by Aguado, Dionisio, 1784-1849, Carcassi, Matteo, 1792-1853, Sor, Fernando, 1778-1839
Published 1973Musical Score -
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17by Ponce, Manuel Maria, Lauro, Antonio, Savio, Isaias, Villa-Lobos, Heitor, Sojo, Vincente Emilio, Turina, Joaquín, Llobet, Miguel, Moreno Torroba, Federico, Falla, Manuel deOther Authors: “...Sor, Fernando...”
Published 1984
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18by Ponce, Manuel María, 1882-1948, Lauro, Antonio, 1917-1986, Savio, Isaias, 1900-1977, Villa-Lobos, Heitor, 1887-1959, Sojo, Vincente Emilio, 1887-1974, Turina, Joaquín, 1882-1949, Llobet, Miguel, 1878-1938, Torroba, Federico Moreno, 1891-1982, Falla, Manuel de, 1876-1946Other Authors: “...Sor, Fernando, 1778-1839...”
Published 1984
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19by Visée, Robert ca 1650 -ca 1725Other Authors: “...Sor, Fernando, 1778-1839...”
Published 1971
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20Other Authors: “...Sor, Fernando, 1778-1839...”
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